In the article, ‘Delirious Enchantment’, Adrian Martin writes of the ‘inseparable fusion’ of form and content, describing them as ‘equal partners’. He says that, in the best films, ‘everything has got to move and mutate in concert’. Drawing on key concepts raised in Martin’s article, discuss how the specific elements he refers to as ‘representational’ and ‘non-representational’ work together to produce the scene in the clip you have viewed. How does everything in this scene ‘move and mutate in concert’? How do you think this effects the way we as viewers experience the scene?
